DAG (Delhi Art Gallery)

New Delhi 11 July - 23 Aug

Mumbai 13 Sept - 5 Nov

Image credits: DAG

Delhi Art Gallery ( DAG ) celebrated the works of Madhvi Parekh in 2025 through their exhibition ‘Madhvi Parekh: Remembered Tales’. We frequently categorise artists based on their style, form, period, or movement. But what about artists who do not fit into any of these categories? Madhvi Parekh is one such artist who has gained worldwide recognition for her distinct take on 'folk modernism.'

The exhibition explored Parekh's works of her six-decade-long artistic journey through paintings and sketchbook practice. Gods and goddesses, mythological figures and folk traditions are the most frequent themes in her practice. However, another central theme of her works is the stories and tales she grew up hearing. Her subjects depict anthropomorphic features in the creatures which are integral to her fantastical paintings. Raised in the Sanjaya village of Gujarat, Parekh interacted with her surroundings as a young girl through festivals and other ceremonial activities of the village. Drawing inspiration from her early life and the world around her, Parekh developed a unique visual language which is not quite modern and not quite folk, but rather a blend of both.

The exhibition introduced viewers to the eclecticism observed in Parekh's work. Following the Covid epidemic, Parekh resumed her practice of painting on large canvases, revisiting the style and technique that she enjoyed in the 1970s and 1980s. The exhibition juxtaposed Parekh's early practice with her most recent pieces. She believes that "every object in our life shares a relationship with us" and that everything is interconnected. As a result, gods, humans, animals, and birds are all represented in her paintings, which has been a recurring theme throughout her artistic career.

EXHIBITIONS WE LOVED

Published image from page 291 of Madhvi Parekh: Remembered Tales
Published page 291 · Enlarge page

Madhvi Parekh did not receive formal training in art. This allowed her to develop the kind of visual language which is more rooted in instinct.

Published image from page 292 of Madhvi Parekh: Remembered Tales
Published page 292 · Enlarge page
Published image from page 292 of Madhvi Parekh: Remembered Tales
Published page 292 · Enlarge page

Her artistic and creative journey gained prominence on a global scale when her work was acquired by the Metropolitan Museum of Art. Following that, in 2024, her work was included in the collateral presentation at Venice Biennale.

Even while her works were travelling globally, the subjects of her art remained grounded in her village and fabular imagination.

Published image from page 293 of Madhvi Parekh: Remembered Tales
Published page 293 · Enlarge page
Published image from page 293 of Madhvi Parekh: Remembered Tales
Published page 293 · Enlarge page

The artist began her journey after she was introduced to Paul Klee's Pedagogical Sketchbook by her partner, Manu Parekh.

Published image from page 294 of Madhvi Parekh: Remembered Tales
Published page 294 · Enlarge page
Published image from page 294 of Madhvi Parekh: Remembered Tales
Published page 294 · Enlarge page
Published image from page 294 of Madhvi Parekh: Remembered Tales
Published page 294 · Enlarge page

Through her practice, she refused to surrender to a specific style or form. This fresh step, taken by Madhvi Parekh, is explored in the exhibition by DAG.

The exhibition, as the name suggests, takes us into the world of remembered tales of Parekh’s career and life.

Published image from page 295 of Madhvi Parekh: Remembered Tales
Published page 295 · Enlarge page
Published image from page 295 of Madhvi Parekh: Remembered Tales
Published page 295 · Enlarge page
Published image from page 295 of Madhvi Parekh: Remembered Tales
Published page 295 · Enlarge page
View original pages, photographs & credits
Original published page 290
Original page 290 · Open image to enlarge
Original published page 291
Original page 291 · Open image to enlarge
Original published page 292
Original page 292 · Open image to enlarge
Original published page 293
Original page 293 · Open image to enlarge
Original published page 294
Original page 294 · Open image to enlarge
Original published page 295
Original page 295 · Open image to enlarge

Originally published in Museum Mosaic 2025, published May 2026.

Part of our annual review. Descriptions reflect the publication’s reporting period.